SInce it's October and that makes it the official spooky time of the year, I'm going to be playing every single day of the month! Of course, I missed the first couple days, but I'll make sure to remedy that with some extra long episodes in the coming weeks.
Here's to the first episode in the (hopefully) long running series on Resident Evil 4. First released on the Nintendo Gamecube, with multiple remakes for subsequent platforms, the Game of the Year award winning title is now available on PS4 and Xbox One.
Follow the track record of Capcom’s franchises and there will be a clear push for a return to form in recent years. With Resident Evil 6 upsetting critics and fans, the franchise had to make every attempt to create something worth the zombie enthusiast’s time.
The diversity of narratives that genre films can offer allows them to craft typically far reaching storylines with a human, emotional core. Of course, creating a script that encompasses this that can be adapted to film has been attempted, but not often successfully. Director Jeff Nichols has exceled in this gray area, with his subtle apocalyptic story of Take Shelter. Whether tackling the complexities of impending danger or the criminal past of a man on the run with Mud, Nichols relies on the human narrative to drive his stories.
It's no rare occurrence when a successful horror film gets an unexpected sequel, however when the original film is based off of a novel, it seems almost impossible to carry on the story without the original creators involvement. Just two years after the release of the cult classic American Psycho hit theaters, a continuation of the Patrick Bateman story was manifested. If the idea of continuing a story that revolved around an unhinged psychopath seems as insane as the title character's ideals, then American Psycho 2: All American Girl will please in some regards.
BGH's own Sophie just finished her "Women in Horror" month, and to honor that, a review of another female lead film seemed fitting. The 2000 film American Psycho was adapted from the Bret Easton Ellis novel of the same name and brought to the screen by director Mary Harron.
Horror mash-ups are common staples of the genre. All the way back to the Universal backlot days, Frankenstein has not only had his day in the limelight, but he’s also met the likes of Dracula. Freddy Krueger has gone blade to blade with Jason Voorhees. Now, in 2016, the undead have gone brain to brain with Elizabeth Bennett. Pride and Prejudice and Zombies is the latest adapted film from author Seth Graham-Smith who has had the film treatment done to his work in recent years with Abraham Lincoln: Vampire Hunter.
The simplest way to conform to the general horror market is with a story revolving around zombies. While the genre typically seeks to bend and morph with the changing times, the saturation of certain sub genres becomes inevitable.
Approaching the horror genre in the modern age can be a trivial task. Especially within the slasher genre, the tropes and formulas have long been established which creates a blockade for filmmakers. The "Final Girl" concept, as proposed by Carol J. Clover, is a byproduct of the repetitive nature of these fresh attempts. In the end, a slasher film comes down to who lives, who dies, and how the killer will come back for more.