cannes film festival

Today it seems that notions of distinct national cinemas are becoming increasingly difficult to argue for. I do not mean to say that particular narratives and cultural contexts are disappearing nor are they ceasing to inform particular film cultures. Rather, I am thinking more along the lines of how certain cinematic techniques for conveying information to us are becoming less divergent across filmmaking communities. Over generalizing blanket statements? Absolutely.

If you're waiting for one borderline softcore porn 3D horror flick to come out it's probably "Pirahana 3DD". But if you're waiting for two than the second has got to be "Shark Night 3D" which now has a new poster out for your peepers with the clever tag line "Terror Runs Deep". Because as you are all well aware, Shark Nights terror runs deep, so deep, put her ass to sleep.

If you were in Cannes last week, and honestly if you weren't I'm not sure I want you reading my news, you got a chance to see the new film "Take Shelter". But for you homeless people who couldn't make it the filmmakers were nice enough to make a trailer for the flick that follows a man obsessed with building up a storm shelter with the fears that his nightmares might come true. Watch it from the computer at your local soup kitchen or whatever.

Say what you want about Rob Zombie, the guy knows horror. Weather or not he can make it well is debatable but his next film "The Lords of Salem" has my interest peaked based on the fact that Zombie said in a recent post there won't be any CGI gore in the flick. So even if the film turns out to be crap the blood should still look pretty cool. "Black Sunshine" is still a pretty cool song too.

I can't even begin to understand what the hell is going on in the new trailer for the Korean film "The Cat" but what I can tell you is there is most certainly a cat in the movie. Or maybe there isn't, I don't know. It may kill people, it may get killed or it may be a metaphor for something I will most likely be confused by. There's a poster too... which I don't understand either.

IFC bolsters its new genre banner IFC Midnight as it snatches up the Mexican cannibal flick "We Are What We Are". The movie was a hit at the recent Cannes Film Festival and is labeled as being like "Let the Right One In".

How's this for an odd tie-in? George Romero will be releasing "Survival of the Dead" on the Playstation Network a few days before its theatrical debut on May 28th. What better way to watch it on the PSN than with your own PS3 Slim signed by Romero himself!

It's well known already that the classic "Famous Monsters of Filmland" magazine will be making its return to news stands. Now they're going one step further by announcing the "Famous Monsters of Filmland: Reboot" movie series! Teaming with low-budget studio Halcyon, they will be bringing re-imagined reboots of 5 classic monster franchises.