werewolf

An American Werewolf in London (REVIEW)

The werewolf taps into those ever constant horror themes that can easily work in many given contexts: bodily control, the uncanny combination of human and inhuman forms, instinctual nature and astrological influences, fear of the “other” and abject within ourselves, infection and spread of disease, etc. Like any of the long-standing horror mythologies that have made their way into cinema the exemplary werewolf stories utilize this literal transformation of person into wolf for dual means.

Hybrid (REVIEW)

Cory Monteith in Hybrid (2007)

Along with topics like boobs and gore and clever one-liners, horror cinema also probes other subjects with the same aplomb. Subjects like the moral repercussions of transhumanist science, the blurring of the line between man and God and the depredations of the white military industrial complex upon the natural world. Both of these themes resonate deeply in the 2007 Canadian made-for-TV movie “Hybrid,” albeit without the same level of care and thought that went into this year's “Splice,” which is clearly a film strongly influenced by “Hybrid.”

Werewolf's Guide to Life

Zombies have been getting their full share of attention lately and now with the release of “The Wolf Man” looming, werefolk are going to get their fair shake too. In the soon to be released “The Werewolf’s Guide to Life,” Ritch Duncan & Bob Powers describe ways for the recently bitten lycanthrope to cope with their new found way of life. The manual provides guidance on: what to do if you have attacked someone, how to build a restraint room, dating and sex advice, and how to avoid detection.

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