gratuitous nudity

Killer Joe (REVIEW)

William Friedkin’s accomplished films gleefully stomp on and dance around the limits of representation. His single-minded, questionably scrupled, mysoginist, white male crusaders in “The French Connection” and “To Live and Die in L.A.” represent some of the quintessential stuff of contemporary action heroes. “Cruising” still inspires its lion’s share of debate on whether the film should be regarded as homophobic fear mongering or as a once prophetic glimpse into the potential psychological consequences of violence against the male gay community.

The Dead Want Women (REVIEW)

"The Dead Want Women" opens up with a lavish party inside of a Hollywood mansion, hosted by the actress Rose Pettigrew who is famous for her work on silent films. Rose leaves her guests at the party and heads to her basement, through a secret passage, to join some friends for an orgy that is extended so long it could probably be called soft-core porn.

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