Few names in heavy metal resonate the way Chuck Billy's does. He is and has been one of the fathers of metal, a true-to-form vocalist of remarkable consistency and dedication to craft. Chuck has been a point for fans to rally around, either to carry the banner for metal, to not forget the halcyon days, or even to give cancer the finger. Over roughly thirty years, Chuck and his band Testament have been to hell and back again, surviving the changing times and lineup changes, all the while producing the same high caliber of original Bay Area thrash. We were honored to talk to Chuck Billy about his new album (both of them,) the Big 4, microphone stands and whether or not this legend has ever thought of hanging it up.
Death Angel is one of the oft-overlooked also-rans of the thrash movement of the early to mid 1980’s. Their name is spoken mostly in the dusty corners of memory, their legacy not as pronounced as so many of their musical kin. To mistake that somewhat faded glory for a lack of talent or acumen, and place Death Angel on the discard pile is a fool’s errand. Death Angel remains a vital and virulent band in this new millennium, and their performance as the first band on the stage was evidence enough that they remain hungry and capable.