allegory

Darren Aronofsky isn’t afraid to take you to hell and back. Nor does he care whether you enjoyed the ride or not.

The already polarized reception mother! has received illuminates the perceived differences between art-house and mainstream audiences. Whereas one side is claimed to revel in philosophical mush, the other prefers explosive and expositive studio slop. Leave it to Aronofsky to embrace polarization and release a film that abides by each of these stereotypes and expertly demonstrates that neither audience is absolute.

As if I didn't hate kids enough already, this week's selection is David Cronenberg's "The Brood".