punk

EP Review: No Inside - "Live. Regret. Learn"

Somewhere between 1997 and 2006, we saw the marketplace dominance of pop punk. It was everywhere; at several spots on the radio dial and ever-present in the hallways of colleges and high schools. Punk’s old guard railed and bellowed, but the youth had spoken – pop punk would be the music of the day. Its cascade of popularity even gave itself into willing parody, culminating in the birth of the Aquabats and a handful of others.

Album Review: Snow White's Poison Bite - "Featuring: Dr. Gruesome and the Gruesome Gory Horror Show"

Finnish upstart Snow White’s Poison Bite is being billed as in the same vein as Black Veil Brides, but there’s more going on than that. Where the later band presents themselves in shades of gray with little mirth, SWPB is inherently and undeniably tongue in cheek, cloaking their music in the veil of a horror show.

The album, entitled “Featuring: Dr. Gruesome And The Gruesome Gory Horror Show,” centers around theme not altogether different from the old “Tales From the Crypt,” with the titular Doctor Gruesome in the role of Crypt Keeper.

Album Review: The Casualties - "Resistance"

In 1990, The Casualties formed to resurrect the sound of true street punk, a sound that they thought was abandoned in the mid eighties. It’s an important task that the band took on, attempting to keep alive the spiritual successor to the Ramones and Black Flag, the sound that laid the foundation for much of American rock and metal during and after the Cold War. To that end, The Casualties are on a one band crusade to keep that image alive and they’re returned with another studio album of to-the-core gritty punk called “Resistance.”

Album Review: DZ Deathrays - "Bloodstreams"

An awful lot of noise. That’s the first gut reaction to “Bloodstreams,” the new full-length album from Australian do-it-all duo DZ Deathrays. For just two people, this is a full-bore effort, ripped from the core of punk’s heart and rock and roll’s soul.

Album Review: Oedipus - Vicious Little Smile

Fewer things test the patience of a rock or metal fan more than hearing the word 'pop' used to describe the music they love. Is it a stereotype? Yes, but not without merit. Rock and metal fans love their music for the power and aggression, the aspects that keep their favorite bands from breaking into the mainstream in almost every case. When they hear the word 'pop' come from a reviewer, or a press release, there's fear dripping from their pores. Pop music is for teenagers and people who never had the good taste to discover Led Zeppelin, not for tenured fans of 'real music'.

A Few Words with Rise Against

Originally rising out of a competitive Chicago punk scene, Rise Against has been bringing their music and their message to crowds all over the world for a couple of decades. Taking a moment between tours, singer and songwriter Tim McIlrath sat down for a few minutes to take some of our questions about the band, punk rock in the modern age, and their new album “Endgame.”
-Tell me about “Endgame.” How do you feel about it, what’s new about it and what’s different that the fans haven’t heard before?
It's a natural progression from appeal to reason. I think we've maintained a constant progression with every record and “Endgame” continues that. We've grown as song writers and as a band. I think it's apparent on “Endgame.”

Album Review: Rise Against - "Endgame"

Coming off two gold certified efforts and 2008’s largely successful “Appeal to Reason,” Rise Against is back, fresh from The Blasting Room in Colorado with twelve new tracks. The end result, “Endgame” is an ambitious and varied effort that showcases the multiple facets of Rise Against’s personality.

Album Review: Iggy and the Stooges - "Raw Power Deluxe Edition"

I'm extremely happy to see "Raw Power" digitally enhanced and preserved for future generations. Not only is the album one of the Stooges' preeminent efforts, but it is such a remarkable time capsule of its time. "Raw Power" is a glimpse into a very specific period of music and American culture.

Concert Review: The Misfits

It had been a long time since I had been to a punk show. Maybe it had been too long. I had practically forgotten what it was like to stand among the punk loyalists, to feel their visceral attitude. Metal, for all its harshness and machismo, is also sometimes guilty of being turgid with bravado and showmanship.

Punk, true punk, not the sparkly, image conscious punk of the past decade, is bereft of all the pomp and circumstance, and even though the Misfits have costumes and a decided image, there’s still something stripped down about them. The Misfits, the Dead Kennedys, Black Flag, the Ramones, MC5, Bad Brains; these are the names that signify the best of American punk rock.

The Creepshow - Run for Your Life

I've been a closet punk for many years. As of late I've found myself drawn towards the 'psychobilly' or 'hellbilly' sound. I mention both but near as I can tell, they're the same thing. Regardless, with revved up rockabilly rhythm mixed in with token horror movie references, I dig it. As a long time bass player, what's not to love about the use of a coffin shaped upright bass?

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