extreme metal

Album Review: Behemoth - "The Satanist"

In 1991 in Poland, Behemoth was formed. Capitalizing on the momentum and popularity of Venom and learning from the mistakes of Mayhem, Behemoth became the logical extension of Venom’s musical trend – more expressive, more visceral, darker and dirtier. Behemoth also became the answer to an intellectual question about metal – how far down this path can we go? How scary and vulgar can metal be and still attract an audience? For years, Nergal and his compatriots answered that call and laid claim to the throne of extreme metal in Europe.

The Hand That Rocks the Cradle of Filth - A Conversation With Paul Allender

Where Cradle of Filth has a reputation as a band given to theatrical presentations and the occasional flight of fancy, guitarist Paul Allender is a man who speaks much in the same way he plays; straightforward, without wandering decoration and totally unique to him. As Cradle of Filth gets ready to spring their new album "The Manticore and Other Horrors" on the world, Allender and I sat down for the second time to discuss the album, the band's history, the martial arts, and a small army of odds and ends. It was at all points an entertaining and enlightening conversation about the man and his music.

Album Review: Miseration - "Tragedy Has Spoken"

Miseration's new album "Tragedy Has Spoken" makes me feel like the old cop in a Frankie Avalon movie who pulls over the young feller in his new red convertible GTO and gives him a stern but fatherly warning: "Whoa, where's the fire? Slow down, son, you'll get yourself hurt, and then you can't go to the beach party with your combustion engines and your rock music and your make-out parties." I think we may have gotten off on a tangent there, but you get the idea.

Album Review: Cradle of Filth - "Evermore Darkly"

“Evermore Darkly” is slightly thin as a companion piece to “Darkly, Darkly, Venus Aversa,” but that doesn’t mean it is without value.

Comprised mostly of re-cut or re-imagined tracks from the main album, “Evermore Darkly” presents the known cuts from that album in a style that is less abstract. “The Persecution Song,” is reworked in a way that makes the song more accessible while not losing its original pounding, or the effect of Paul Allender’s off-kilter, rangy guitar.

Interview with Paul Allender of Cradle of Filth

It takes a uniquely creative mind to be the burgeoning force behind the free-wheeling, exploratory and atmospheric riffs that power the band Cradle of Filth. Paul Allender is that mind and is that man. Recently, I got a chance to fire some questions at Paul concerning his band, his music and his art.
--With all the evolution of Cradle of Filth, you've been called extreme metal, black metal, speed metal, all kinds of things. What do you think most accurately describes you as a band?
Yes, I’ve heard of all these tags. Personally, I think the best way to describe us is as an extreme metal band.

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