A Cat in the Brain

In the realm of Italian filmmaking, there are generally three big names that come up again and again in conversations about innovation, style, and universal appeal: Dario Argento, Mario Bava, and Lucio Fulci. Argento is still alive and making films, and Bava had a very successful career as a cinematographer before coming into his own as a visual director. But it is the staggering variety (and prolific career) of Lucio Fulci that is the focus of this week’s column.