Over the history of death metal, an awful lot of adjectives have been used to describe the genre’s fare; fast, loud, harsh, brutal, noisy, nasty, visceral, and increasingly as the subgenre develops, technical.
If someone someday constructed a Mount Rushmore of Swedish death metal, there's a very good chance that Peter Tägtgren would be a candidate for inclusion. Revolutionary in his early days and a mainstay in the worldwide genre now, Tägtgren is just about ready to drop "End of Disclosure" on the world, the newest album from his primary band Hypocrisy. That's only the beginning of the musical year for Tägtgren, however, as he's also about to hit the road for a tour and somehow found time to work on the new Children of Bodom record. We were honored that the man himself found a few minutes to spare to talk with us about all of these things and more.
I have long theorized that music in general works in cycles of twenty to twenty-five years, and that what's old can continually be made new again, like doctoring up that potato salad for one last go-around.
The long running and yet on-again-off-again musical creation known as PAIN has twisted, turned, bent, changed, morphed and changed again over the years. The constant is frontman/guitar player Peter Tägtgren, who remains focused on turning PAIN into a household name.