Inbred Redneck Vampires finds sexy vampire Catherine, played by Felicia Pandolfi (The Evilmaker, The Seekers, Alien Conspiracy: Beyond the Lost World), and her familiar Lendel, played by Warren E.B.B. (Abomination: The Evilmaker 2, Werewolf Tales) on the run from a ruthless vampire hunter. They hide out in the small redneck town of Backwash, where Catherine hatches a plan to turn the backwoods folk into an army of her vampire slaves.
Beer drinking, bean eating, tripe cooking, shower peeping, competitive farting, strip poker playing and all manner of insanity follow, all leading up to the town's annual Tripe Days Festival. Combine the gross-out and physical comedy of Animal House and American Pie with the country humor of Hee Haw, toss in some vampires and you've got the riotous romp Inbred Redneck Vampires.
Rambo meets Alien in this terrific science-fiction thriller from 1987, directed by John McTiernan just a year before Die Hard made him Hollywood's most sought-after director of action-packed blockbusters. Arnold Schwarzenegger leads an elite squad of U.S. Army commandos to a remote region of South American jungle, where they've been assigned to search for South American officials who've been kidnapped by terrorists. Instead they find a bunch of skinned corpses hanging from the trees and realize that they're now facing a mysterious and much deadlier threat. As the squad is picked off one by one, Arnold finds himself pitted against a hideous alien creature that's heavily armed and wearing a spacesuit enabling the creature to render itself invisible. The title says it all in describing the relentless, escalating action that follows, maintained by McTiernan with an abundance of visual flair. The film's special effects are still impressive, and stunning locations in the Mexican jungles create a combined atmosphere of verdant beauty and imminent danger. The plot doesn't hold up to much scrutiny, but the movie's so exciting and tightly paced that its weaknesses seem irrelevant
When twelve nude models for the infamous SuicideGirls.com begin disappearing from a remote cabin, the calendar video they are shooting becomes the first reality horror movie.
After a heavy night out with the girls, Isabel, and attractive young professional woman catches an illegal mini-cab home. Things take a turn for the worse when the cabbie pulls her into an ally and violently forces himself onto her, taking her life. From high above on the rooftop, an ancient female Vampire notices. Taken in by Isabel's beauty and innocence, she dispatches the Cabbie and feeds Isabel a drop of her immortal blood. Isabel awakes with 48 hours to decide whether to embrace immortality, or kill herself before she becomes undead
This 2010 remake of a somewhat obscure 1973 George Romero picture injects a mysterious virus into the water supply of a small Iowa town, and the consequences are… well, you didn't expect the consequences to be positive, did you? The movie is called The Crazies, after all. So when local folk begin acting a mite peculiar, it just means they've gone to the well too often--literally. Borrowing the structure of Invasion of the Body Snatchers, the remake gets off to a clumsy start, but as the noninfected rally around the sheriff (Timothy Olyphant) and his doctor wife (Radha Mitchell), the action becomes streamlined and reasonably inventive. Director Breck Eisner has a particular knack for finding ingenious ways of killing people (a knife through the hand becomes a useful tool for the sheriff in one turn-the-tables moment), and he's been wise enough to hire respectable actors for the top-lined duties; along with Olyphant and Mitchell, there's also Joe Anderson (Across the Universe) as a loyal, amped-up deputy. If the movie misses the tart social-context stuff that Romero does so well, it at least fills the bill when it comes to the chase-and-escape business of a contemporary horror picture. The spate of such 21st-century remakes of 1970s horror pictures misses the raw, raggedy unease of those low-budget projects, but if you're going to make a slick new update, The Crazies is the way to do it.
This G.I.-zombie tale, smartly scripted by exploitation auteur Larry Cohen (It's Alive, God Told Me To) and directed by William Lustig (Maniac, Vigilante), straddles the line between antiwar satire and slasher-movie silliness. American soldier Uncle Sam, as he's known to his hero-worshipping young nephew, is a bullying homicidal misfit too ornery to die. His bloodied and burned corpse, sent home from Kuwait for burial, crawls out of his casket and declares war on punks, crooked politicians, draft dodgers, and pretty much anyone who wanders into his path. There are some interesting ideas floating around--a pointed commentary on the attraction of violence under the flag of patriotism, an undercurrent of psychosis and sadism in Sam's home life, and a clever twist on all-American iconography--which get lost in the Fourth of July reign of terror. Body-count fans will appreciate victims hacked with hatchets, cleavers, and garden shears, teenagers buried alive, and a severed head found smoking in a barbecue pit. David "Shark" Fralick stars as Sam, with Isaac Hayes as a crippled Korean War vet and small roles by cult stars Bo Hopkins, Timothy Bottoms, P.J. Soles, and Robert Forster, a smarmy governor given a fireworks sendoff he'll never forget.
Deep within the mysterious Forest of Resurrection, the spectacular battle between good and evil has gone on since the dawn of time. When Prisoner KSC2-303 escapes from a maximum security jail, he enters the forest believing it will lead him to a safe haven. Instead, he finds himself a pawn in an endless struggle played out against an ever-changing background across multiple temporal planes of existence. His opponent: a mysterious man who seemingly cannot be killed. The battle to be waged between these warriors: Good versus Evil in the pursuit of a beautiful woman who holds the power to grant eternal life. But what Prisoner KSC2-303 cannot remember is whether he is the personification of good or the very essence of darkness.