What can I say about David Lynch’s “Blue Velvet” that hasn’t already been said by hundreds if not thousands of film scholars, critics, biographers, and journalists? The film has been discussed in a diverse number of concentrations including auteur studies, queer theory, genre studies, and psychoanalytic film theory. It has been viewed as both an intrepid piece of personal vision and an exploitative aggrandizement of cinematic masturbation.
