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Fright Night (2011) (REVIEW)

Colin Farrell likes his ladies in a box in "Fright Night"

As the camera swoops over suburban Las Vegas, a crescendoing score announces "Fright Night's" opening credits. Harkening to vampire films of old by blending a traditional summer movie sound with a timeless organ riff, the juxtaposition manages to call forth cinematic vampires from Bela Lugosi to Christopher Lee to Gary Oldman while also signaling a more modern setting. It's a deft touch that sets the stage for a vampire film -- indeed a remake -- that feels fresh and vibrant, a tough task in this post-"Twilight", post-Sookie Stackhouse world.

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