heavy metal

Kerry King Talks Slayer Albums

Check out "The Vinyl Conflict"'s Kerry King dissecting the one-of-a-kind Slayer LP box set.

Kerry doesn't say much that's earth-shattering here, but there are a lot of interesting little parts as he talks about each album from the box set. For those not in the know, Slayer is releasing "The Vinyl Conflict," a box set of all ten of their Def/American recordings, all pressed to 180 gram vinyl. It's pre-selling on Slayer's website for about $150.

Album Review: Cradle of Filth - "Darkly, Darkly Venus Aversa"

“Darkly, Darkly Venus Aversa,” while ever so slightly different from the other Cradle of Filth albums, is just as eclectic and ranging as ever. Now, let me be clear; the album is all metal through and through, and puts definition to the term “extreme metal.” It’s the mixing of sounds and ominous themes with blast beats and high-handed guitar that gives the album a sense of being just plain different. It’s appropriate that an album telling the story of the fabled character Lilith should range from placid grace to frenetic vehemence.

Album Review: All That Remains - "For We Are Many"

What is this? What am I hearing? I understand that it's a collection of chords and notes and drums and vocals, but those are just its requisite parts. My question, on a much more fundamental level, is what IS this? What is it that All That Remains hoped to project with this new effort "For We Are Many"?

Album Review: Alter Bridge - "AB III"

Let me start with a compliment to Alter Bridge. Although they will likely always share an inseparable bond with Creed, they have managed with this new effort to emerge from that other band’s shadow. Some of that comes from the lack of allegedly righteous pretension that has bloated Creed’s legacy, but much of it comes from a musical edge that Creed continues to lack.

Album Review: Monster Magnet - "Mastermind"

Talk about a band that's been through the wringer. Despite lineup changes, multiple periods off, a rumored fight over the production of 2001's "God Says No," and just on November 3rd, the departure of longtime guitarist Ed Mundell, Monster Magnet rolls on.

Confessions From the Road

We've all been to concerts, seen the splendor of our favorite bands, and walked home happy. Behind those pressed, clean and/or theatrical experiences, there lives an entire society of road crews, bus drivers, long hours, bad food, managers, technicians and venue staff who make all that possible. Pedro Rodriguez just got off the road, and is heading back out in November for another grueling experience. In the meantime, I got to share some words with him about touring, Dimebag Darrell, horror movies and venues across our great country.

Album Review: Black Label Society - "Order of the Black"

For what probably amounts to a couple of decades all said and done, Zakk Wylde was a hero of heavy metal, the everyman kid lucky enough to find his way onto the world’s largest metal stages. His was a modern story reminding us all to not forget our musical dreams; that the big break could be just around the corner.

Now, the genre judges Zakk much differently. Following some self-important antics, two uninspired, pedestrian Black Label albums and a split from longtime paycheck Ozzy Osbourne, we now see Wylde back at the drawing board with “Order of the Black.”

Ashley Purdy of Black Veil Brides

With their surprise debut at #1 on the Billboard Independent charts, Black Veil Brides are single-handedly trying to resurrect the type of metal/glam fusion that made Motley Crue and KISS rise to stardom. Cloaked in black and layered in shadowy makeup, the band is well on their way. I had a chance to get a few minutes with bassist Ashley Purdy and get some questions answered.
“We Stitch These Wounds” soared to #1 on the billboard independent chart a week after its release: Did you expect that kind of reception, or did its first week performance exceed what you thought?

Valora Motion Graphic Novel

Well, this is a new idea. Up and coming female-fronted heavy metal outfit Valora is slowly unveiling their new songs one at a time through the lens of a motion video graphic novel. Part 1 (check it out below,) is the first of five, and also serves as the launching point for their single, "Live." The story isn't terribly convoluted, but like my love for Tom and Jerry cartoons, it appeals to my admiration for the ability to tell a concise story without dialogue. The art isn't super fancy, but it's crisp, and the video rolling inside the comic panels is a unique touch.

Album Review: Soundgarden - "Telephantasm"

Normally, greatest hits albums, whether they're masked as "career retrospectives" or some other convoluted term, go unnoticed by me. I remember coming to the conclusion at a younger age that most greatest hits albums are simply shams by record labels to perpetuate sales of a band that might have gone stale. This was the principle reason that Soundgarden's "A-Sides" release in 1997 garnered no interest from me, even though it contained the previously unreleased (and pretty solid) track "Bleed Together."

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