heavy metal

Perhaps no subset of metal has exploded from creation as quickly as djent. The style born from the embers of Meshuggah's techincal percussive onslaught is the sound of the moment. While there are still more bands playing the more established colors of the metal rainbow, djent is where the attention of younger metal fans is focused. Every generation needs a sound of their own; for those currently coming of metal age, this will be theirs.

The Bunny the Bear is a post-hardcore band that some have said incorporates dance elements into their music to flesh out their sound. More than that, the band is equal parts musical and theatrical experiment, attempting to push both the envelope of the hardcore sound and the envelope of presentation. This is one of those situations where fans will stand by and argue that detractors simply don't understand the fusion and exploration that's going on, and that might be true; but it also makes the bold assumption that the fusion and exploration is worth getting.

SIVA Addiction pounds out heavy metal in that uniquely blue-collar American way that is totally untouched by other countries, influences or genres. There is a sliver of the genre that remains impossibly true to the original form of heavy metal; a logical, blown-out extension of rock and roll from the middle seventies that revels in all the pomp and dirt that the legacy of that era entails. That sliver thrived in the U.S.

One thing that can be said about progressive rock and metal musicians is that there's no short supply of ambition in their work. Whether talking about concept albums, hour-long songs, or star-studded lineups, there is no such thing as 'too big' for their thinking. In large part, it's this kind of boundless creative energy that makes progressive rock and metal such an interesting landscape. So many sounds, feelings, and approaches can fit under the banner and be accepted that there's always a bit of a mystery when you first hear a new band, no matter the pedigree of the musicians involved.

One of the questions that has long puzzled me as a music fan is to what degree an artist's standing as an innovator and genre-definer should be incorporated into their legacy. While being the first to travel down a certain path does necessitate a historical remembrance of that person's efforts, it doesn't mean that the work done to blaze that trail is worth remembering.

Fame out of nowhere. All-girl rock group Cherri Bomb has gone from the fringe to the main stage through their association with acts like Filter, Rise Against and Billy Corgan. Continuing the trend, the band has attached their single "Shake the Ground" with the biggest movie event in a couple of summers, landing on the soundtrack of Marvel's blockbuster "Avengers." I sat down with Julia Pierce and Miranda Miller to talk about their music, gaining fame early, and being in an all-girl band.

Dan Briggs is used to pushing the envelope. His main band, Between The Buried And Me, is full of twists and turns that throw convention to the wind. Naturally, his side project would not be an exercise in restraint. Trioscapes is as progressive as anything he has ever done, eschewing normal instrumentation and structure to put together an album that needs to be heard to be understood. He was kind enough to answer some questions on the nature of his music, how he approaches creativity, and what the future holds.

Brendon Small’s “Galaktikon” is as much a story about finishing what you started as it is the divorce of the galaxy’s most popular superhero. Halfway invested prior to the recording of “Dethalbum II,” Small shelved this ad-hoc unfinished project until such a time as he could return to it and complete it. From that end, “Galaktikon” is anything but a typical vanity project, and shows not only Small’s dedication to his artistic exploration, but also his loyalty to Gene Hoglan and the musicians who helped him create it. He doesn’t want their work to be for nothing.

You got EDM in my heavy metal! You got heavy metal in my EDM! Such is the life and times of Cameron Argon, musician and producer at large known commonly by the names Big Chocolate and Disfiguring the Goddess. Combining the heretofore unblended elements of dubstep and death metal, Argon is one of the few who can walk in both worlds. With Disfiguring the Goddess' new release on the horizon, we sat down to talk about his music, his inspirations, the debate on drum triggering and more

Mainstream rock has been a forgotten son of the metal family for almost as long as I have been aware of the music. Ever since the grunge explosion (the merits of grunge even being a definable sub-genre not withstanding), the singles that populate rock radio have had immeasurable influence from the bands that came out of Seattle. The post-grunge movement, as it became known, is known most of all for two things; bands that prefer angst to any other expression of emotion, and a wave of productions that made the bands indistinguishable from one another.