heavy metal

Album Review: Dirge Within - There Will Be Blood

Change happens so gradually it's hard to recognize the shift that's been made. Listening to “There Will Be Blood”, the immediate impression is that Dirge Within is a perfectly capable middle-of-the-road metal band. It's only when we stop and think that it becomes apparent how much metal has changed in the last thirty years. From the clinical guitar tones to the gruff shouting that encompasses most of the vocals, this is music that would have been extreme in the 80's, yet today it doesn't raise an eyebrow.

Album Review: Jeff Loomis - Plains Of Oblivion

Being in a band that managed to establish a legacy is a blessing for a musician, and it can also be a curse. Once public opinion makes a verdict on your abilities, and your best works, it becomes nearly impossible for anyone to overcome those perceptions and establish a new reality. For Jeff Loomis, who for the last twenty years has been synonymous with Nevermore, everything he accomplishes both with this album and in the future will be seen through the filter of his previous band. Nevermore's breakup seemed inevitable.

Album Review: Municipal Waste - "The Fatal Feast"

There are no secrets here. Not that anyone expected there to be. Municipal Waste is an awful lot of things as a band, but subtle just plain isn’t one of them.

Their new album, “The Fatal Feast,” is sixteen cuts of punk-heavy thrash, and there are no other adjectives that can feasibly be used to describe the style of music. It is those things and nothing more or less.

Album Review: Exumer - "Fire and Damnation"

In this era where nostalgia reigns supreme and everyone looks back with strained eyes in an attempt to dissect some heretofore uncovered golden nugget of wisdom, music is not immune to these effects. Since 2008, bands celebrating the twenty-fifth anniversary of the rise of American thrash have gone back to the books, looking to temper their fire with long, discerning studies of trends long gone in hopes of resurrecting the past into the present.

The Man Behind "Metalocalypse" - Words with Brendon Small

He is the creator of beloved, fan-favorite shows like “Home Movies” and “Metalocalypse.” He is the man behind the phenomenon that is Dethklok, whom legions of fans dutifully keep up with and flock to their shows. He is the man in charge of the upcoming album “Galaktikon,” and probably has his hands full with six or seven others things, too. Mere mortals call him Brendon Small, and he and I had to chance to sit down and talk about a number of subjects, including music, career paths, television shows and trends, Iron Maiden and of course, horror.
M. Drew: First and foremost, you are a busy man this month. You’ve got “Galaktikon” coming out right around the corner, and season four of “Metalocalypse” all in one month. Do you think you’re ready to handle those two things at the same time?

Album Review: 3 Inches Of Blood - Long Live Heavy Metal

Countless bands have written songs and albums as an ode to the music they love. From Ronnie James Dio penning “Long Live Rock 'N Roll” during his stint with Rainbow, right through to the current classic metal revival, the psalm of metal solidarity has become almost a rite of passage for young bands. What is often unsaid is that underneath the love for heavy metal, the songs themselves usually offer nothing but an assortment of cliches.

Concert Review: Paganfest America - Turisas, Alestorm

The evening’s conflict had already been constructed before the first fan ever walked through the door. Paganfest 2012 was a tour set on answering a variation of the usual internet quandary concerning pirates and ninjas (on which my pro-ninja stance has been well documented.) Rather, the task for the evening was to settle the erstwhile grudge match between the two groups that were hosting the entire event. Who is superior? Pirates….or Vikings?

Album Review: Pigeon Toe - The First Perception

When approaching any album tagged with the label 'progressive', it must be kept in mind the two connotations the word carries. Progressive music can be an ethos, eschewing conventional structure to tell stories, or it can be a tightly defined form of music celebrating the virtuosic talents of the players. Oddly enough, for a genre of music that carries an air of intellectualism and musical sophistication, the expectations and tastes of the fans can be as narrow and insular as those of any other metal sub-genre.

Album Review: Modern Day Escape - "Under the Gun"

Modern Day Escape is the black sheep of Standby Records' family, a wayward but still loving brother who treads a path ever so slightly different than their labelmates. All of the other children that comprise this "Rock and Roll 2.0" movement are caught between the two poles of emo-rock and heavy metal, while Modern Day Escape does not suffer from a similar crisis of identity and image.

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