concert review

Concert Review: Clutch, Orange Goblin

With “Earth Rocker” released to the world, it stood to reason that Clutch would blaze a trail across the United States bringing their blend of rock and roll and swamp blues to the masses nationwide. This tour was especially poignant given Clutch’s asserted desire to unequivocally return to their rock roots and re-establish themselves as the preeminent rock band in the U.S. With Neil Fallon’s admission that “Earth Rocker” and “Blast Tyrant” producer Machine was in attendance on this night, expectations were high. Along for this part of the ride were Orange Goblin and Lionize.

Concert Review - Volbeat, Danko Jones

The word is out. Volbeat is far from a secret. Those not familiar with the Danish rock and metal powerhouse are officially behind in the count now. Playing the Best Buy Theater in the burning neon heart of Times Square, Volbeat had sold out the show weeks in advance. I had it on pretty damn good authority that industry people, journalists and an audience from all over Europe were flying into New York City to witness this show.

Concert Review - Turisas, Firewind, Stolen Babies

New York City has long been the proving ground for any number of musical acts in any number of musical genres. It is a place where dreams come true and can be shattered (as was painstakingly recorded and subsequently overplayed by Jay-Z and Alicia Keys.) Just as with their local sports teams (go Mets!) the New York music fan is well versed in his or her chosen paradigm, and impressing those individuals can go a long way toward making or breaking a career. So it was that a dutifully loyal crowd assembled at the Gramercy Theater to pass judgment on Turisas, Firewind and Stolen Babies.

Concert Review: Graveyard

What kind of a show was Graveyard? Allow me to set the scene. After driving two hours to Boston, my wife and I were greeted by temperatures hovering right around the zero mark, with a persistent wind that just wouldn’t let up. We were in the middle of the most rugged cold snap the Northeast had witnessed in at least two years, and the car whined much of the way about having to perform under duress. Simply walking to and from dinner was a chore, and we knew immediately that windburn had damaged the unprotected portions of our faces.

Concert Review - The Reverend Horton Heat

If you’ve never been to a show at Bridge Street Live in central Connecticut, you’re missing out. The place is essentially a massive ballroom with a corner stage, plenty of table seating, suitably dim lighting and perfect acoustics. The ambiance of the building is set wonderfully in a retro rock and roll motif; art deco and clean design lines run tastefully rampant through the corridors and over toward the bar. It was exactly the kind of place that The Reverend Horton Heat would be expected to play.

Concert Review: The Sword, Gypsyhawk

The Middle East in Cambridge, Massachusetts is a wonderful place to see a show, offering a fill menu of quality items upstairs and then…the basement. Going down those black, diamond plate steps into the din of the restaurant’s basement is enough of a sensation to make the concert patron feel like he or she is a part of something. You become a member of the privileged few, the crowd who is enough in the know to want to know more about the evening’s music to come.

Concert Review: Blackguard

Dark, cynical roadhouses lke Bogie’s in Albany, New York have been and continue to be the proving grounds or metal. It is here that the crowds deem bands worthy, encouraging their heroes with raised glasses of ale while passing judgment on inferior act with their austere silence. The lights are low, the die-hards are out, the Sword of Damocles dangles precariously over the musician’s necks.

Concert Review: GWAR, DevilDriver, Cancer Bats

It was, as Billy Joel famously sang, a pretty good crowd for a Saturday. Worcester, Massachusetts was enjoying the throes of the Rock and Shock Festival, a multi day event that had come down to this: Legacy of Disorder, Cancer Bats, DevilDriver and naturally, GWAR. Who else would be appropriate for such an occasion but those undisputed lords of shock and awe?

Concert Review: Kreator, Accept

Walking into the venue for Kreator and Accept, there was a feeling that washed over the entire experience. To quote Henry Rollins, it felt like “another Saturday night in old Deutschland.” There was everything one would expect from a tour trumpeting two of Germany’s most prominent and standard-bearing thrash bands; high-speed metal revival, fans who haven’t had a haircut since the Berlin Wall came down, and very few women. Fewer than normal at a metal show, and that’s saying something.

Concert Review: Rockstar Energy Drink Mayhem Festival – The Main Stage

Asking Alexandria was technically asked to open the main stage, but in reality, they were ex post facto to Anthrax, and began performing as soon as the veteran band had finished. As such, double A (not Arn Anderson,) was forced to deal with the nearly impossible task of playing to a transitory audience. They had completed “Welcome,” and were through a good portion of “Closure” before the bulk of the crowd moving from one stage to another had even had their tickets checked.

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