concert review

Concert Review: Graveyard

What kind of a show was Graveyard? Allow me to set the scene. After driving two hours to Boston, my wife and I were greeted by temperatures hovering right around the zero mark, with a persistent wind that just wouldn’t let up. We were in the middle of the most rugged cold snap the Northeast had witnessed in at least two years, and the car whined much of the way about having to perform under duress. Simply walking to and from dinner was a chore, and we knew immediately that windburn had damaged the unprotected portions of our faces.

Concert Review - The Reverend Horton Heat

If you’ve never been to a show at Bridge Street Live in central Connecticut, you’re missing out. The place is essentially a massive ballroom with a corner stage, plenty of table seating, suitably dim lighting and perfect acoustics. The ambiance of the building is set wonderfully in a retro rock and roll motif; art deco and clean design lines run tastefully rampant through the corridors and over toward the bar. It was exactly the kind of place that The Reverend Horton Heat would be expected to play.

Concert Review: The Sword, Gypsyhawk

The Middle East in Cambridge, Massachusetts is a wonderful place to see a show, offering a fill menu of quality items upstairs and then…the basement. Going down those black, diamond plate steps into the din of the restaurant’s basement is enough of a sensation to make the concert patron feel like he or she is a part of something. You become a member of the privileged few, the crowd who is enough in the know to want to know more about the evening’s music to come.

Concert Review: Blackguard

Dark, cynical roadhouses lke Bogie’s in Albany, New York have been and continue to be the proving grounds or metal. It is here that the crowds deem bands worthy, encouraging their heroes with raised glasses of ale while passing judgment on inferior act with their austere silence. The lights are low, the die-hards are out, the Sword of Damocles dangles precariously over the musician’s necks.

Concert Review: GWAR, DevilDriver, Cancer Bats

It was, as Billy Joel famously sang, a pretty good crowd for a Saturday. Worcester, Massachusetts was enjoying the throes of the Rock and Shock Festival, a multi day event that had come down to this: Legacy of Disorder, Cancer Bats, DevilDriver and naturally, GWAR. Who else would be appropriate for such an occasion but those undisputed lords of shock and awe?

Concert Review: Kreator, Accept

Walking into the venue for Kreator and Accept, there was a feeling that washed over the entire experience. To quote Henry Rollins, it felt like “another Saturday night in old Deutschland.” There was everything one would expect from a tour trumpeting two of Germany’s most prominent and standard-bearing thrash bands; high-speed metal revival, fans who haven’t had a haircut since the Berlin Wall came down, and very few women. Fewer than normal at a metal show, and that’s saying something.

Concert Review: Rockstar Energy Drink Mayhem Festival – The Main Stage

Asking Alexandria was technically asked to open the main stage, but in reality, they were ex post facto to Anthrax, and began performing as soon as the veteran band had finished. As such, double A (not Arn Anderson,) was forced to deal with the nearly impossible task of playing to a transitory audience. They had completed “Welcome,” and were through a good portion of “Closure” before the bulk of the crowd moving from one stage to another had even had their tickets checked.

Concert Review: Rockstar Energy Drink Mayhem Festival – The Jagermeister Stage.

The Rockstar Energy Drink Mayhem Festival is an event practically out of its time. A traveling commercial, musical carnival in the era when all merchandise is available online and every conceivable form of entertainment, from live performances to shocking freakery, can be accessed by those with a broadband connection. Beyond that, it is also one of the last of the dying breed of road-bound music festivals, surviving in the post-Ozzfest, re-created Lollapalooza era.

Concert Review: Overkill, God Forbid

On a rainy, bitter night, Overkill came to town and brought friends. The fans tolerated the chill and the dowsing with quiet fortitude, standing stoically in line awaiting their chance to pay tribute to the thrash legends and the crew they brought with them. This is the type of following and faith engendered by Overkill as they make headway in their fourth decade of writing and performing. Armed with their new album "The Electric Age," the Jersey veterans came to kick ass and chew bubblegum. You can venture a guess what they were all out of.

Concert Review: Kittie, Blackguard

When Bonded by Blood is the first band of the evening, each paying individual should be well aware of the night that is to follow. A perfect scene setter for everything that came after, Los Angeles’ Bonded by Blood is one of those rare acts who would have exactly the same amount of fun whether playing in front of 20 or 2,000. It is clear from the band’s raucous delivery that they enjoy playing their brand of thrash revival metal whether or not anyone is there to hear it.

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