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Quarantine 2: Terminal (REVIEW)

I love gimmickry in films. More specifically, I love it when filmmakers (or a marketing department) make aesthetic choices on the inclining that maybe we will chuck a few more dollars their way. And I don’t mean this in that snarky, cynical, cinema is a beautiful unique snowflake-unicorn kind of way. Sure, what starts as a gimmick can quickly become convention and open up new and interesting ways to tell a story or convey an idea.

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