M. Drew's blog

Album Review: Volbeat - "Outlaw Gentlemen and Shady Ladies"

Volbeat is the name on everyone’s lips these days. The hype surrounding this Danish band has been unmatched in this century by nearly anyone. Everyone wants a piece – everyone wants to be on the bandwagon. Ever since Volbeat made their big break by opening for, and being personally endorsed by, Metallica in 2009, Volbeat’s assumed potential has been limitless. Their previous record “Beyond Hell/Above Heaven” was seen as the coming out party, which means pressure is mounted on “Outlaw Gentlemen and Shady Ladies” to be a blockbuster.

Concert Review: Clutch, Orange Goblin

With “Earth Rocker” released to the world, it stood to reason that Clutch would blaze a trail across the United States bringing their blend of rock and roll and swamp blues to the masses nationwide. This tour was especially poignant given Clutch’s asserted desire to unequivocally return to their rock roots and re-establish themselves as the preeminent rock band in the U.S. With Neil Fallon’s admission that “Earth Rocker” and “Blast Tyrant” producer Machine was in attendance on this night, expectations were high. Along for this part of the ride were Orange Goblin and Lionize.

Album Review: Snow White's Poison Bite - "Featuring: Dr. Gruesome and the Gruesome Gory Horror Show"

Finnish upstart Snow White’s Poison Bite is being billed as in the same vein as Black Veil Brides, but there’s more going on than that. Where the later band presents themselves in shades of gray with little mirth, SWPB is inherently and undeniably tongue in cheek, cloaking their music in the veil of a horror show.

The album, entitled “Featuring: Dr. Gruesome And The Gruesome Gory Horror Show,” centers around theme not altogether different from the old “Tales From the Crypt,” with the titular Doctor Gruesome in the role of Crypt Keeper.

Concert Review - Volbeat, Danko Jones

The word is out. Volbeat is far from a secret. Those not familiar with the Danish rock and metal powerhouse are officially behind in the count now. Playing the Best Buy Theater in the burning neon heart of Times Square, Volbeat had sold out the show weeks in advance. I had it on pretty damn good authority that industry people, journalists and an audience from all over Europe were flying into New York City to witness this show.

Book Review: "The Merciless Book of Metal Lists"

The Merciless Book of Metal Lists” proclaims to be the single most opinionated source on heavy metal in history. That statement by authors Howie Abrams and Sacha Jenkins not only sets the tone for the book, but in itself is an argumentative statement. The beauty of this book is that the authors’ gleefully expect you to disagree with them and they’re glad you do! The book tries to capture both the intrinsic debate among learned metal fans and the fraternal brotherhood of metal fandom.

Album Review: Moss - Horrible Night

While listening to Moss, it quickly becomes evident that this is one of those bands where the name is not just a title, but an idea. Think about the nature of moss: it grows directionless but persistent, deliberate and patient. Uninhibited, moss will overtake and consume any object nearby. This insight gives just a glimpse of the idea behind Moss’ new record “Horrible Night.”

Album Review: Devil to Pay - "Fate Is Your Muse"

Devil to Pay has established a long career in the underground, cementing themselves as the go-to for grungy American doom. All this while being based in Indianapolis, perhaps the least likely of hotbeds for heavy metal activity. Parenthetically, the fact that Devil to Pay has experienced success outside their home market is a solid testament to the penetration and efficiency of the accessible digital marketplace.

Album Review: Finntroll - "Blodsvept"

My wife is a very patient woman, who only takes a less-than-casual interest in heavy metal because it makes it easier for us to spend time together. The following conversation happened in our living room:

Me: “I’m not quite sure what to make of this album.”
Her: “Who is it?”
Me: “Finntroll. It’s their new record, it’s all over the place.”
Her: “Well, I don’t hate it. It sounds kind of fun.”

Album Review: Clutch - "Earth Rocker"

For at least the last six or eight years, no band makes me more nervous than Clutch. Ever since the release of “Robot Hive: Exodus,” the band has left my fanhood on uncertain footing, slowly but surely making adjustments to their sound. As critical praise came easily to “From Beale Street to Oblivion,” many who thirsted for the “Pure Rock Fury” era felt left in the lurch. What were we to make of this new Clutch, with the mellower, more calculated sound? The crowds at the live shows began to shift demographic, skewing in new directions.

Album Review: Hypocrisy - "End of Disclosure"

Over the history of death metal, an awful lot of adjectives have been used to describe the genre’s fare; fast, loud, harsh, brutal, noisy, nasty, visceral, and increasingly as the subgenre develops, technical. Though many of them paint part of the picture, none of those words accurately describes the whole of Hypocrisy’s new album, “End of Disclosure.” The painted portions that do apply to the album rest dutifully on the canvas of another word, one never used in death metal except in very rare occasions; measured.

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