M. Drew's blog

Concert Review - Volbeat, Danko Jones

The word is out. Volbeat is far from a secret. Those not familiar with the Danish rock and metal powerhouse are officially behind in the count now. Playing the Best Buy Theater in the burning neon heart of Times Square, Volbeat had sold out the show weeks in advance. I had it on pretty damn good authority that industry people, journalists and an audience from all over Europe were flying into New York City to witness this show.

Book Review: "The Merciless Book of Metal Lists"

The Merciless Book of Metal Lists” proclaims to be the single most opinionated source on heavy metal in history. That statement by authors Howie Abrams and Sacha Jenkins not only sets the tone for the book, but in itself is an argumentative statement. The beauty of this book is that the authors’ gleefully expect you to disagree with them and they’re glad you do! The book tries to capture both the intrinsic debate among learned metal fans and the fraternal brotherhood of metal fandom.

Album Review: Moss - Horrible Night

While listening to Moss, it quickly becomes evident that this is one of those bands where the name is not just a title, but an idea. Think about the nature of moss: it grows directionless but persistent, deliberate and patient. Uninhibited, moss will overtake and consume any object nearby. This insight gives just a glimpse of the idea behind Moss’ new record “Horrible Night.”

Album Review: Devil to Pay - "Fate Is Your Muse"

Devil to Pay has established a long career in the underground, cementing themselves as the go-to for grungy American doom. All this while being based in Indianapolis, perhaps the least likely of hotbeds for heavy metal activity. Parenthetically, the fact that Devil to Pay has experienced success outside their home market is a solid testament to the penetration and efficiency of the accessible digital marketplace.

Album Review: Finntroll - "Blodsvept"

My wife is a very patient woman, who only takes a less-than-casual interest in heavy metal because it makes it easier for us to spend time together. The following conversation happened in our living room:

Me: “I’m not quite sure what to make of this album.”
Her: “Who is it?”
Me: “Finntroll. It’s their new record, it’s all over the place.”
Her: “Well, I don’t hate it. It sounds kind of fun.”

Album Review: Clutch - "Earth Rocker"

For at least the last six or eight years, no band makes me more nervous than Clutch. Ever since the release of “Robot Hive: Exodus,” the band has left my fanhood on uncertain footing, slowly but surely making adjustments to their sound. As critical praise came easily to “From Beale Street to Oblivion,” many who thirsted for the “Pure Rock Fury” era felt left in the lurch. What were we to make of this new Clutch, with the mellower, more calculated sound? The crowds at the live shows began to shift demographic, skewing in new directions.

Album Review: Hypocrisy - "End of Disclosure"

Over the history of death metal, an awful lot of adjectives have been used to describe the genre’s fare; fast, loud, harsh, brutal, noisy, nasty, visceral, and increasingly as the subgenre develops, technical. Though many of them paint part of the picture, none of those words accurately describes the whole of Hypocrisy’s new album, “End of Disclosure.” The painted portions that do apply to the album rest dutifully on the canvas of another word, one never used in death metal except in very rare occasions; measured.

Album Review: Lost Society - "Fast Loud Death"

I suppose it was inevitable and we all should have seen it coming. In thrash’s latent, momentous revival, we’ve come up with new names to buffer the genre and kept the lion’s share of the classics alive as well. As the wave of metal resurrection continues however, studious fans will note that every facet of old thrash has been revitalized save one: we’ve been asking the question “who will be the new S.O.D?” Carrying on the legacy of the Stormtroopers of Death is a deceptively weighty task.

1983 - The Year That Forged Metal - Final!

As is our custom, we close the annual Tribute Project with submissions and thoughts from around the metal sphere, as promised. A couple dozen people were nice enough to take time out of their lives and consider our question: "Out of all the artists who debuted or formed in 1983, which one has had the greatest impact on you personally or professionally?" the answers are varied, some heartfelt, some hilarious and many in between. Nonetheless, each one provides insight into the artist who gave it, and gives a glimpse into their dedication and fanhood. But enough.

1983 - The Year That Forged Metal - Part 3


M.DREW:
Speaking of Queensryche songs, if you ever really want to make a serious ‘Ryche fan angrier than all get out, tell him or her your favorite song of theirs is “Jet City Woman.” Watch the reaction. There might even be an eye twitch.

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