M. Drew's blog

Album Review: Powerman 5000 - "Builders of the Future"

Full disclosure – I am a longtime fan of Powerman 5000, beginning waaaaay back in the “True Force” days. That probably makes me more forgiving than some.

Album Review: Killer Be Killer - "Killer Be Killed"

Let’s be serious here – if you were told to write down what you thought the combined sound of Soulfly, Mastodon, the Mars Volta and the Dillinger Escape Plan would be, what are the words that come to mind? Irascible, scratchy, virile, pummeling, cacophonous, noisy, and a thousand synonyms.

Album Review: Cradle of Filth - "Total F*cking Darkness"

Devotees of Cradle of Filth already know much of this story, but way back in the day, Cradle was working toward releasing an album called “Goetia,” which was completely erased when the record label went out of business. The album was scrapped, never to see the light of day, and was followed by the band’s third demo, “Total Fucking Darkness,” before they ultimately got signed by another label and the popular portion of their career began.

Album Review: Battleroar - "Blood of Legends"

First off, what’s important to underline before telling the Battleroar story is that “Blood of Legends” is not merely an album. The record exists as an exhibition in craft and the ability to tell a tale through a mix of classical narrative and metal elements. The metal part of Battleroar is merely the vehicle through which the story is progressed – if the heavy elements won’t or don’t fit, Battleroar is perfectly comfortable dropping them in favor of more atmospheric accuracy.

Album Review: Sinner Sinners - "XI"

It seems a strange time in history when it is anomalous to encounter musicians who can only be called ‘rock’ without any other qualifiers. The ‘rock and roll’ genre was once so all-encompassing and pervasive that it permeated every corner of the musical universe that didn’t a classical composer, and the label itself needed no acute narrowing into subgenres. Eventually rock evolved as our tastes were refined, turning into rockabilly, hard rock, alternative rock, metal, pop rock and a million other things.

Concert Review - Volbeat, Trivium

In metal circles, Volbeat has become a household name. The band is loaded with metal chops and yet concurrently appeals to genres outside just their home base. The crowds that gather to see the band perform their art range in age and fandom, covering a wide spectrum of musical taste and appreciation. A Volbeat show has practically become an affirming event – patrons are there to see great music and have a great time, in a shockingly well-behaved fashion, which isn’t unwelcome.

Album Review: Endast - "Thrive"

Going the road by yourself in the music world is an admirable goal, but one that is difficult to obtain. The digital marketplace of the modern millennium makes the DIY journey more palatable, but it remains obtrusively difficult to break through in the absence of a record label; their finances, marketing power and presence can do a lot for an artist.

Album Review: Whitechapel - "Our Endless War"

We've talked about this before, but watching a band evolve and grow is one of the preeminent perks of being a music fan. When an artist adds a few pieces to each successive effort, the feeling as a listener is one of encouragement - you inherently want to see that artist turn the corner from being a talented band that hasn't quite put it together to a unified force. Tennessee's Whitechapel has managed to improve on each album, and so fans and media alike were hopeful for this new record "Our Endless War".

Album Review: Emmure - "Eternal Enemies"

Emmure is one of those bands people love to hate. While a quick scouring of the internet seems to suggest that straight-up nobody likes this band, the pertinent truth is that somebody must, because Frankie Palmeri and company continue to release music. Somewhere out there, Emmure means something, and their persistence in the face of a continual stream of vitriol is worth investigating. So, with that in mind, we tackle the new album, “Eternal Enemies.”

Album Review: Anti-Mortem - "New Southern"

Every now and again, we need an album like this. A concise record that isn’t particularly concerned with technicality or image and instead seeks only to slake our thirst for the base impulses of metal as we know it. Anti-Mortem’s “New Southern,” the debut record from the band hailing from Oklahoma, hangs its hat on the idea that metal burns brightest in the furious furnace of the heart more than the unchained imagination of the mind.

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